Andy Summers Fender Tele

  • Year: 2007
  • Manufacturer: Fender® Masterbuilt
  • Model: Andy Summers Tribute Telecaster® Custom
  • Case: Original Hard
  • Color: Sunburst
  • Condition: Near Mint
  • Description: 2007 Limited Edition Fender® Andy Summers Tribute Telecaster® Custom Sunburst in Near Mint condition made by Fender® Masterbuilder Todd Krause s/nTK408. Includes Orignal Flight case, COA, Strap & Goodie Bag. Does Not include Book, DVD or CD. Additonal Photos available.

Andy Summers Tele For Sale

Andy Summers was just out of college in Southern California in the early 1970s when one of his guitar students offered to sell him a beat-up 1961 Fender Telecaster that had obviously been modified by a previous owner.

Summers had already had some modest music business success in the late ’60s Britain. Lately though, he’d stuck mainly to his classical guitar studies, and hadn’t played an electric in quite a while. Strangely, however, something about this particular Telecaster grabbed him. As he put it himself in his 2006 memoir, One Train Later:

“When I start to play it, something stirs within me … it shakes me … I find that I can’t stop playing it; this guitar sparks something in me and I have to have it. “

Andy Summers Tele Ebay

Custom Shop Texas Special Telecaster® Pickups, Set of 2.Here’s something for you die hard Telecaster players. These overwound Telecaster pickups are constructed with Alnico 5 magnets and enamel coated magnet wire. The bridge pickup features height staggered magnets and a copper plated steel bottom plate for increased output, presence and midrange, while the nickel-silver cover on the neck pickup produces a clear warm tone that only a true Custom Shop Telecaster pickup can do. From Merle to Metal, the Texas Telecaster will demand their attention.

Andy Summers Tele Build

I am interested in picking up one of these beauties and hoped that the kind people here might be able to answer a few questions

I know that there was a limited run of these guitars.
But does anyone have a build number per Master Builder?
I know Dennis made a few as well as Todd, John, Stephen and Yuri.
Is one better than the other as far as “builds” go or is it a personal preference?

Andy Summers Tele Wiring Diagram

Learn step by step how to completely wire a Telecaster and all of the potentiometers, capacitors, switches, ground wires, hot wires, pickups, output jack, and bridge ground. Even if you dont own a Fender, this guide will teach you how to wire a guitar with 1, 2, or 3 pickups. This book will also show you the secret “hot rod” techniques that the pros use like: coil tapping, coil cutting, phase switching, series wiring, parallel wiring, bridge-on switching, toggle switching, mini toggle switching, varitone switching, 4-way switching, 5-way switching, mega switching, super switching, rotary switching, treble boost/solo switching, blend pots, push pull pots, stacked concentric pots, and much more !!!

Andy Summers Tele Wiring

Second in BillyBadAxe’s Classic Electric Guitars 101 series: The Gibson Les Paul is the quintessential heavy rock guitar. We’ve also covered the Fender Telecaster, and the FenderStratocaster. Check it out!

Countless rock songs have made use of its heavy tone and ringing sustain, and its huge sound when combined with a stack of Marshall Amps is an enduring and iconic image of the genre. First introduced in 1952, there have been some changes to its design over the years, mainly in regard to the pick-ups and bridge, as well as numerous variations on the overall theme, but the standard Gibson Les Paul model sold today is still essentially the same as that of five decades ago.

Andy Summers Guitar

Far from a young punk-rocker stepping directly into the limelight with his first band, Summers’ back story reveals an extremely dedicated musician who parlayed years of classical and jazz guitar studies infused with blues, rock, and soul into recordings and roadwork with major U.K. acts Zoot Money’s Big Band, the Animals, Kevin Coyne, and the Soft Machine, and accomplished all of this over a decade before joining Sting and Stewart Copeland to cement what would become perhaps the world’s most popular musical group since the Beatles.

The Police—Message in a Box: The Complete Recordings collects every recording issued by the band up until their implosion in 1986. By the time the Police would reunite in 2007, Summers had contributed to the scores of ten films (2010, Down & Out in Beverly Hills, Weekend at Bernie’s, and Mississippi Masala among them), released a whopping 15 solo albums that run the gamut from moody and esoteric world fusion to a collection of Thelonious Monk tunes (including XYZ [1986], Mysterious Barricades [1987], The Golden Wire [1989], Synathestesia [1995], The Last Dance of Mr. X [1997], Green Chimneys [1999], Earth & Sky [2002], plus I Advance Masked [1982] and Bewitched [1984], both recorded with Robert Fripp before the Police officially broke up), guested on an additional ten projects, toured internationally, and dueted in 2005 with classical guitarist Ben Verdery (First You Build a Cloud). Post-Police and reunion releases include several best-of compilations, Live (1995), and 2008’s Certifiable: Live in Buenos Aires. Summers is also an avid photographer who exhibits his work around the world, as well as an accomplished author. His books include Throb (1983),

Andy Summers Guitars

Summers’ career took off in 1977 when the guitarist was asked to join a somewhat eclectic punk trio featuring bassist Sting, drummer Stewart Copeland, and guitarist Henry Padovani. Almost immediately, Padovani left the band, and the Police in its most recent incarnation was born.

The Police blended punk, rock, reggae, and other styles of music into a highly accessible pop music package, and were quickly adopted by critics and fans worldwide. By 1983, the Police were considered to be the most popular band in the world. Unfortunately, constant friction between band members seemed insurmountable, so in 1984, after five albums, the Police broke up.

Life After The Police:

Andy Summers’ post-Police work has been decidedly less commercial. Summers tackled film scoring, creating music for films like “2010” and “Down and Out in Beverly Hills. The later 1980’s and early 1990’s found Summers recording music that explored pop, jazz, and new age sounds – always operating slightly outside of the “mainstream”. In the late 1990’s, Summers returned to his jazz roots, recording several tribute albums that explored the songbooks of Thelonious Monk and Charles Mingus.

Andy Summers on the Web:

There are some excellent Andy Summers resources on the web, the best of which have been highlighted here. If you’re looking for insight into the guitarist’s playing style, the Police tab and lyrics, free music downloads, or anything else Summers-related, check the links on the right.

Andy Summers Tele Specs

I don’t really see the problem with these collectors guitars – after all no serious player is going to buy one and use it as a gigging guitar (well maybe).  Something like this is eventualy just going to adorn the wall of a rich but true fan.  Is it objectionable to buy gold and platinum disks from a band you love?  Signed photos?  Why (if you are an exec of a merchant bank) not a mock up of their guitar?

Of course, if it were me, and I played in a Police covers band, I would get a CV 60s Squier, put a humbucker in it and give my 3 year old son free reign with a chisel to do the relicing.

Andy Summers Tele

The other cool thing about this Tele is the ability to use the Humbucker and the bridge pickup together, and out of phase. Yet another micro-switch was added to the control plate that throws the middle position out of phase with each other. Gives it a really interesting honking trebly thing going on. It sounds good in this position for choppy chord work, like reggae or old school Motown Funk stuff.

So, with the different pickups, phase and pre-amp – one can get lots of different colors out of this guitar. Other than the pre-amp gain on “10” I really have not found a bad sound on the piece. My only complaint about the guitar is sort of the nature of the beast…the body binding is a hard edge that hurts your right forearm if you rest it there for a long time. That is a problem with a lot of Tele’s like this though, and most players just tough it out or adjust their playing style a little higher to be more comfy. I could do a Jeff Beck and contour the top like a Strat, but not on this guitar.

In summary:

It looks good – nice patina, nice sunburst colors and a REALLY convincing relic job.
It plays good – feels like a vintage, broken in Tele with a more playable bridge.
It sounds good – pickups are great, lots of different sound combinations, built in preamp for overdrive.

I use to lay in bed at age 14 at night with my Sony Walkman – I’ll bet I listen to The Ghost in the Machine album 500 times that year! I really like this guitar, it feels nostalgic, and feels right….so I guess it’s a keeper. I know not everyone likes the Relic thing, and this Tele is far from traditional with its modifications. But I’ve got to tell you it has a mojo unlike any other “new” guitar I’ve ever owned….and I’ve owned some nice guitars. Enjoy ~